tollie.org/blog thoughts and reflections of Tollie Williams

4Apr/09Off

Is Copyright Still a Fair Deal

Wow. I don't normally find myself reading many slashdot comments, but this one caught my attention as I think it's dead on.

From: http://bit.ly/kG5dH [slashdot.org]

Is Copyright still a fair deal? (Score:5, Insightful)
by thesupraman (179040) on Friday April 03, @08:13PM

This is not the question to ask.

The question to ask is what good are the public getting in return for giving up such freedoms, AND paying for the giving up of such freedoms (dont forget who pay for the FBI, Police, etc), and paying for the protection of the revinue to copyright owning entities.

Now, this is supposed to be the entering in to the public domain (as in becoming free..) of creative content at the end of the copyright period - a fair and equitable arrangement one could say - we protect their profits for a period, and at the end of that, we gain the advantage of their creativity openly.

However, that was in the days of limited copyright periods, these days thanks both to DRM (an unbroken DRM means an item cannot become free after its legal protection stops) and changes to copyright periods (a lot of things we have already paid to protect should be public now, and are not..) we, the people, have lost our end of the 'bargain'.

Perhaps it is time for the copyright owners to be carrying the full costs of enforcing their copyrights, since they don't feel the public should be allowed future advantage of their content?

I wonder what the yearly government costs of copyright enforcement is, it seems more and more public resource is bring piled in to protecting it..

Or perhaps the people (that is, government) should simply cease on their end of the bargain in return, and in light of technological DRM, revoke copyright laws, as they were enacted to protect otherwise unprotectable items (such as books) - does DRM mean we shouldn't have to suffer copyright laws?

Once upon a time there was balance, an equitable deal between the state and copyright holders - the copyright holders have long since stopped holding up their end of the bargain....

18Feb/08Off

Lawrence Lessig vs. J. K. Rowling

I discovered today, through this N.Y. Times commentary that Lawrence Lessig's Fair Use Project is the group providing legal support for Steve Vander Ark and the H. P. Lexicon.

It's no secret that I'm a Harry Potter fan. I mean, I listen to a weekly podcast called Pottercast, where they talk for an hour each week about the books and movies. But unlike what seems to be most HP fans, I've sided with Steve and RDR all along in the lawsuit by which JKR and Warner Brothers are seeking to prevent the publication of his book. Although I have respect for J. K. Rowling's brilliant series and her general attitude surrounding the "fandom," I have to think that in this case, she (or her lawyers for her) are in the wrong.

My thoughts are still pretty much the same as they were when I posted the following to a facebook discussion on the matter.

You replied to Caroline's post on Nov 9, 2007 at 12:34 AM.

From my understanding, the Lexicon is essentially Steve's notes on the 7 book series. I doubt there would be any law suit if this were a "Cliff's Notes to the Harry Potter Series," so why try to block it when someone does an extensive job of it?

I doubt (but have not researched) that the Tolkien estate has ever sued over encyclopedic works for Tolkien's literature, although Tolkien himself published many Appendixes.

This sort of repackaging of information is a useful service that is not currently being offered anywhere else - it does not compete against the literary works themselves. The fact that JKR is _going_ to write an encyclopedia is no reason to stop an encyclopedic work by force of law.

Further, take this case to an extreme: if the intellectual property owners are asserting that their control extends to a retelling of facts, at what degree of fact-telling about the books do they suggest the intellectual property right begin? Will fans not be allowed to talk about the book, or write their favorite lines, or podcast about their readings?

Bottom line: As long as it's clear the work is unofficial, it's hard to believe that fact-reporting should be blocked through force of copyright law.

I'm open to other opinions, however.